Considerations on the Present 2
2018
Notes on the silence of S. Penna
2018
Landscape and Geometry III (for P.P.P.)
2018
A Horizon Falls, a Shadow
2018
Action performed by Claire Aveline and Christian Montout, reading Louis-Ferdinand Céline, Journey to the End of the Night in the exhibition at Mattatoio.
images by Yamina Tavani, Montoro12
Company
2018
Sound: Mauricio Orduña. On line: Alfonso Cornejo.
Six channel video installation, aspect ratio 16:9, 6.0 sound, color
Double Exposure (Expanded)
2017
Landscape and Geometry (for P.P.P.)
2017
Considerations on the present 1
2017
Untitled (of the silence between Kawabata and Mishima: being)
2017
Les mots et les choses
2017
Regarding the Edge of Things
2017
Solo exhibition curated by David Miranda.
Museo Experimental El Eco.
Mexico City.
June, 2017.
Regarding the Edge of Things
2017
Video documentation of the events that took place as part of the exhibition Regarding the Edge of Things of Luis Felipe Ortega at Museo Experimental El Eco.
Text: Company by Samuel Becket
Performers: Esteban Aldrete, Tania Solomonoff, Anaïs Bouts, José Luis Sanchez Rull.
Regarding the Edge of Things
2016
Black Box
2016
For the project Obra en Obra.
Long Night in the Present
2016
Untitled (The Space Within/Silence)
2016
Sobre la desaparición de las luciérnagas No. 2
2016
Untitled (Transportable Inverted Horizon)
2016
Untitled (enclosed space, open space)
2016
Possessing Nature
2015
Mexican Pavillion. 56th Biennale di Venezia.
Four Moments Between the Amazon River and Sao Paulo
2014
Primer desplazamiento Tabatinga-Manaus
2014
Desplazamientos e inserciones temporales
2014
Delimitación del paisaje y secuencia geométrica: hacia un equilibrio del tiempo. (black series)
2014
Mirando a través de algo que parece uno mismo
2014
Some Moments When Something Loses Weight (or Not)
2014
Untitled (In Between Time, Silences and Spaces: of a Conversation with Luigi Nono)
2014
From a –Possible– Conversation Between Alighiero e Boetti and Lygia Pape.
2014
Untitled (Space Disposition in Relation to a Specific Weight)
2013
Untitled (Notes for an Inclusion of Silence)
2013
Landscape and Geometry (Temporary)
2013
Regarding the Base (Speculation No. 2)
2013
Untitled (Comment to "Carte du monde politique-poétique")
2013
Untitled (Maps with Geometric Insertion)
2013
from the series Horizons
2013
Six Essays... Regarding Calvino
2012
Altered Points of View
2011
Study for Twisted Line
2011
Drawing Notebook (in the Company of Waldemar Cordeiro)
2011
Regarding the Base (Speculation No. 1)
2011
Rods to the Wall (No. 2)
2011
Intervention at the Polyforum Siqueiros, Mexico City.
The Effects on Weight and Gravity
2011
Study for Double Exposure (Expanded) 4/7
2011
Pendulums
2010
In situ installation at Ancienne école des vetérinaires. Brussels.
Untitled (Horizons for S. Beckett)
2010
The Truth Abides at the End of the Tunnel
2010
Inverted Horizon
2010
Project Room, El Clauselito. Museo de la Ciudad de México.
Breakfast for Dino Campana
2009
Untitled (what Céline didn't say in his Journey to the End of the Night)
2009
Landscape and Geometry
2008
Before the Horizon
2006
In situ installation at Maison d’Art Actuel des Chartreux, Brussels.
From the series Weave I
2005
Occupancy
2004
In situ installation at Sala de Arte Público Siqueiros, Mexico City.
Studio for Pistoletto's Globe
2003
A pencil
2002
From the series Something happens, nothing
Parasol
2002
From the series Something happens, nothing
Ten Ways to Forget Gilles Deleuze
2000
(Dis)Location
2000
Mound of posters and slide projection with the phrase “Words only come to me when I think that I will not be able to find them" (Paul Auster). Visitors could take the poster and the phrase would finally fall on the floor. Centro de la Imagen, Mexico City.
Untitled (Grade Zero)
2000
The Necessary Distance
1997
From the series The Docile Bodies (Trees)
1995
From the series The Docile Bodies (Parque de la Bola)
1995
From the series The Docile Bodies (Planters)
1995
Remake
1994
Luis Felipe Ortega & Daniel Guzmán
Sanitary Report
1991
Untransportable / Feed him (carefully)