Paper for the artistic research meeting LA ZONA OPACA, presented at Museo Amparo, Puebla.

Luis Felipe Ortega reflects on the work of the artist Adrián White, who disassociates himself from the topics of Mexican contemporary art.

Luis Felipe Ortega writes here his reflections on the disturbing photographic work of the Coahuila artist María José Sesma.

Room text written for the exhibition Notes on the dispossession of Manuela G. Romo, held at the Gallery of El 123 in Mexico City.

Room text made for the exhibition Rio Seco of Paula Cortázar, which took place in the Machete Gallery in Mexico City.

Text on the exhibition Space notations by Oaxacan artist Morelos León Celis, held at Casa Mosca, Oaxaca.

The recent production of the creator, who exhibited 'Vanitas Portus' at the Museo de Arte de Sinaloa, is characterized by making grafts or alterations in their referents, also by relocating their materials and problematizing drawing, here, a reflection about her work.

Text read in the conversation around the exhibition Juegos de Paola Dávila, in the company of the artist and curator Amanda de la Garza.

The silence and the shadow, two ideas of J.Tanizaki's thinking, are used to approach Raúl Mirlo's work shown at SOMA. In this essay, Luis Felipe Ortega talks about the recent work of the young Mexican creator.